Filed under: Chapter Thirteen Exercise, Part Two: Writing The Screenplay, The Screenwriters Workbook | Tags: act two, first half, mid-point, pinch one, pinch two, plot point one, plot point two, screenplay, screenwriting, second half
Okay, the first half of Act Two is all outlined and carded out. I tinkered with the cards for a while and shifted around a few of the ideas I had. There are only 14 shown here, but I had about 20 or so the first time around and had to narrow them down to the 14 that I ended up with.
Here’s how they look:

Here’s how they break down:
Card one – John, Mitch, and Tammy watch as Tom obsessively cleans the house, ignoring them as he goes along.
Card two – The intervention. The trip sits Tom down and finds out what’s wrong. The trio promises to help him “become normal.”
Card three – John helps Tom unwind. Get over his obsessive compulsive tendencies. Relax. Figure out why he’s so uptight.
Card four – Mitch and Tom order a computer and the works (i.e. software, wacom tablet). Make it an Apple.
Card five – Tammy and Tom do yoga to relax. Tom feels awkward but Tammy says to use this as a time ot relaxation and meditation.
Card six – Computer shows up. Tom and Mitch set it up.
Card seven: pinch one – Tom asks out Michelle.
Card eight – Tom starts to draw again.
Card nine – John and Tom talk women.
Card ten – Tammy and Tom doing yoga. She helps him to relax before the big date.
Card eleven – The trio help Tom select an outfit.
Card twelve – The date starts. Awkward at first but when Michelle puts her hand on Tom’s he relaxes.
Card thirteen – Tom tries some shellfish. He doesn’t know he’s alergic.
Card fourteen: mid-point A- Tom has an allergic reaction to the shellfish and vomits on Michelle.
Well, there you have it. By the way, mid-point A is what I called card 14 since I wasn’t sure if technically the vomiting was the mid-point or the next scene when John breaks down who he really is. Since they’re interrelated I used mid-point A here, and card one of the part two is mid-point b.
Enjoy.
-Steve
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